8/21/2026

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Maintenance is the first thing to go when the days run. We notice a dull table, a tired parquet, a marked worktop, and we put it off. August, with its still hours and the emptier house, is when that postponement ends. It is not a chore, it is a different way of being among your things: slower, more attentive, almost manual.
Caring for a surface also means knowing it better. Hands learn the wood by passing a cloth over it, stone tells its porosity when it is treated, metal shows where time has touched it.

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An oiled wooden top lives on this maintenance. A pass of the right oil, worked along the grain and left to soak in, gives depth back to the colour and protects against the season's stains. It is a simple gesture that changes how a table looks for months, and in summer, with the dry air, it is at its best.
Painted wood asks for less, but not for nothing: a careful clean, a check of edges and joints, attention to the spots where the sun hits. Every species has its rules, and they are worth knowing when you choose a piece meant to last.

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Mineral surfaces seem eternal, and largely they are, but they too have their care. A porous marble needs protecting from rings, a natural stone likes a water-repellent treatment before summer, a large-format porcelain asks only for the right cleaner to avoid a film. These are materials that repay attention with decades of service.

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August is also the month when heavy fabrics give way to light ones, or the winter ones are prepared for their pause. Wash, air, store in the shade and dry: old gestures that lengthen the life of curtains, cushions and rugs. A clean, well-rolled rug passes through summer without suffering, and comes back in September as good as new.

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There is a thread linking maintenance to the first choice. Honest materials, the ones that age well, are also the ones cared for with sensible gestures: they are oiled, treated, cleaned, and they improve. Materials that pretend, on the other hand, cannot be recovered once they wear. Choosing with future care in mind is already a form of design.

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In our showroom we tell this part too: how to keep what you buy. Every material has its care sheet, and knowing it before choosing helps you understand what you are taking home. A good purchase does not end at delivery, it begins there.
Read more: The floor speaks: materials, texture and the surface we inhabit and the Ter Hürne parquet made to last with essential maintenance.
Interior Designer since 1985
CEO & Founder, Italian Design in the World
We touch a home before we look at it. In summer, the difference between a room that welcomes and one that repels comes down to the degrees its surfaces hold.
In summer we live on the threshold. Loggia, porch, veranda: the strip between indoors and out becomes the most lived-in room of the house, and deserves to be designed as one.
In August many homes are left behind. Shutters half closed, still air, light crossing the rooms with no one to watch it. It is worth asking what stays beautiful when no one is there.
The table is the only piece of furniture where you eat, work, play, argue and make up. Yet it gets chosen as if it were just a horizontal surface.
Density, light and editorial care: the book wall that supports a mind
For a long time, interior design spoke mainly to the eye. Color palettes, shapes, surfaces, composition. A space was judged — and often rewarded — for how well it appeared: cleaner, more photogenic, more “resolved”.Today, that logic is starting to show its limits. Because a home is not an image. It is an environment we inhabit for hours every day — a continuous system of stimuli that affects focus, energy, mood, and the quality of rest.