6/27/2025
Floor-mounted fixtures
More stable and easier to install.
Perfect for traditional bathrooms or renovations with existing plumbing.
Take up more visual space.
Wall-hung fixtures
Sleeker, more modern appearance.
Easier to clean the floor underneath.
Require strong walls or proper support frames.
Practical tip: In a small bathroom, wall-hung models create a more spacious look.

Curved lines: great for cozy, classic, or retro-style bathrooms.
Angular shapes: suit modern, minimalist spaces—but watch out for sharp corners.
Organic profiles: a growing trend, inspired by nature, with smooth, fluid lines that suit many styles.
Pro tip: If your bathroom features bold furniture or angular faucets, balance it with rounder-shaped fixtures for a more harmonious effect.

Good design is not just visual:
Check the seat height—“comfort height” models are taller, great for tall people or seniors.
Opt for ergonomic seats with soft-close lids and durable materials.
Choose bidets with adequate depth and visual consistency with the toilet.
Pro tip: Try to "sit with your eyes" before buying: you can often feel the comfort just by looking at the shape.

Many brands offer coordinated lines of toilets, sinks, and furniture—but it’s not mandatory:
Matching toilets and bidets create a sense of order and cohesion.
In eclectic bathrooms, mix styles with at least one unifying element (color, shape, or material).
Color? White is timeless, but matte finishes, sandy tones, grey, or black are perfect for a sophisticated, modern look.

Choosing the right fixtures means balancing form, function, and style. Whether you prefer a modern look or classic lines, the goal is to create a bathroom you’ll enjoy every day—where beauty and practicality go hand in hand. And one last tip: sit, observe, imagine… and pick only what truly makes you feel at home.
Interior Designer since 1985
CEO & Founder, Italian Design in the World
In the city, those few square metres beyond the door are often the only truce between the flat and the noise outside. They are not a decorative extra: they are a border — different light, different wind, different rules. Yet too many balconies stay storage for crates, folding chairs and rushed tiles, as if design stopped at the glass.
The prejudice comes from years of institutional rooms where function crushed aesthetics. In residential work, things have changed: handles that are objects, walk-in showers that are elegance before aid, wide doors and near-invisible thresholds that are build quality before regulation. The gap is not budget: it is awareness that dignity lives in daily details — the ones you touch hundreds of times a year.
Open a catalogue of contemporary homes and you often find cover-worthy kitchens, theatrical bathrooms, living rooms that look like photo sets. Between one image and the next, a narrow corridor appears, lit by a sad single point — or a vestibule reduced to a knot between doors. That is not a technical detail: it is silent design about what life spends most of its time doing — passing through, pausing, shifting register, leaving one room before entering another.
Open plan has dominated the image of the contemporary home: few walls, few boundaries, maximum flexibility. The promise was freedom — kitchen in dialogue with the living room, light flowing, no "closed" rooms. Over time many have discovered the downside: noise travelling, no refuge, difficulty concentrating or switching off. The response isn't to go back to the closed-off house of the past, but to rethink the value of dedicated spaces: environments with a clear function that the body and mind learn to recognise.
Interior design has long favoured sight: colours, shapes, surfaces. Only recently have we started to talk about touch and smell. Hearing, by contrast, remains the most neglected sense at the design stage — yet it's the one we can't switch off. We live in homes that boom, reverberate, carry voices and noise from one room to another. The result is stress, fatigue, difficulty concentrating and resting.
For decades interior design has chased the idea of a "perfect", unchanging space: same colours, same lights, same layout twelve months a year. The home as a photo set always ready, but often distant from the cycles that govern our body and our mood.Today a different idea is returning: the house as an organism that responds to the seasons. Not an aesthetic whim, but a response to the need to align the environments we live in with natural rhythms — light, temperature, colour, vegetation — with measurable benefits for sleep, concentration and wellbeing.March, with the equinox and the awakening of spring, is the ideal time to rethink interiors in a seasonal key.